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   W obecności patrona artystycznego Festiwalu, samego autora niezwykłego dzieła – mistrza Krzysztofa Pendereckiego zabrzmiał Koncert Jubileuszowy MFMC – Hajnówka 2006. Wykonanie „Jutrzni” – utworu inspirowanego wydarzeniami prawosławnego Wielkiego Tygodnia, odbyło się we wnętrzach białostockiej Bazyliki Katedralnej, co po raz kolejny dało świadectwo ekumenicznemu charakterowi Festiwalu.

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   Miłośników muzyki cerkiewnej przywitał – za pośrednictwem odczytującej jego list dyrektor z Kancelarii Prezydenta, Bożeny Opioła – Lech Kaczyński, prezydent Rzeczypospolitej Polskiej: Międzynarodowy Festiwal Muzyki Cerkiewnej na stałe wpisał się do kalendarza najcenniejszych imprez kulturalnych w Polsce. Już od ćwierćwiecza festiwalowe dni są prawdziwą ucztą duchową dla licznych melomanów z kraju i zza granicy – przekazywała słowa Prezydenta Bożena Opioła - Cieszę się, że po raz kolejny Podlasie, ze swym bogactwem wielokulturowego dziedzictwa stało się miejscem tych niezwykłych międzynarodowych spotkań w świecie wspaniałej cerkiewnej muzyki. Serdecznie gratuluję Organizatorom Festiwalu tego znakomitego artystycznego i ekumenicznego przedsięwzięcia, cieszącego się zasłużonym międzynarodowym prestiżem.

 

 

   Koncert zaszczycili swą obecnością Arcybiskup Wojciech Ziemba - Metropolita Białostocki, Biskup Edward Ozorowski, Wojewoda Podlaski Jan Dobrzyński, oraz Wice Prezydent Białegostoku Ryszard Zimnoch.

 

 

   Białostocka publiczność miała okazję wysłuchać „Jutrzni” w wykonaniu znakomitych artystów. Byli to rosyjscy soliści:  Żanna Afanasjewa - sopran, Olesia Pietrowa - mezzosopran, Stanisław Leontjew - tenor, Piotr Migunow - bas, Władimir Miller - bas profundo, chóry z Sankt Petersburga: Chór Konserwatorium, Chór Smolnego Soboru i Chłopięcy Chór Uczelni Muzycznej im. M Glinki oraz Orkiestra Symfoniczna Filharmonii Podlaskiej pod dyrekcją Marcina Nałęcz - Niesiołowskiego.

 

 

 

 

 

 

 

 

   „Jutrznia” nie była wykonywana już od dawna - powiedział po koncercie Krzysztof Penderecki - To jest karkołomne dzieło, chyba najtrudniejszy utwór na chór, jaki kiedykolwiek powstał, a dyrygenci raczej unikają tak trudnych utworów. Po kilkudziesięciu latach od napisania jest równie trudny jak był. Dzisiejsi  wykonawcy spisali się jednak znakomicie.

 

 

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   Pod ogromnym wrażeniem dzieła byli również wysłuchujący go melomani, którzy zaraz po koncercie podzielili się z nami swoimi odczuciami:

 

Barbara Zawadzka: To był koncert, który od początku do końca chłonęłam bez chwili oddechu. Podczas niektórych koncertów jest miejsce na oderwanie się, zamyślenie nad czymś innym. Tu absolutnie nie było o tym mowy. Dzieło roztoczyło tak oszałamiającą przestrzeń, że czułam się jak wewnątrz jakiegoś  spektaklu, widowiska. Miałam wrażenie uczestnictwa w bardzo ważnym wydarzeniu. Pierwsza część utworu - bardzo przenikliwa, zjawiskowa; druga – monumentalna, sprawiająca wrażenie wielkiego rabanu w piekle, że Jezus zmartwychwstał, a jednocześnie radującej się tym faktem gawiedzi.

Odbiór dzieła odbywa się całym ciałem. Niesamowity utwór!

 

Małgorzata: Utwór dość trudny w odbiorze, bardzo nowoczesny. Uwagę zwracały na pewno wspaniałe, reprezentujące niesamowity kunszt, chóry rosyjskie!

 

Robert Panek: Mam mieszane uczucia. Przede wszystkim muszę powiedzieć, iż bardzo dobrze się stało, że muzyka Krzysztofa Pendereckiego została wykonana w Białymstoku – to kontra dla wszystkich, którzy mają go za prowincję...  Koncert „Jutrzni”, w dodatku w wykonaniu prestiżowych, doskonałych rosyjskich chórów daje miastu splendor w Europie i świecie.

Natomiast z drugiej strony, nie jestem przekonany, czy kościół nadaje się do wykonywania tak nowoczesnej muzyki. Może koncert powinien odbyć się raczej w filharmonii?  A może po prostu nie jesteśmy jeszcze przygotowani, by tego typu dzieła były wykonywane w świątyni? Zresztą, już sam koncert był już do pewnego stopnia novum, gdyż na co dzień bardziej jesteśmy przyzwyczajeni do muzyki klasycznej, romantycznej. Nowoczesnej, mimo wszystko, dopiero musimy się nauczyć słuchać.

 

Adam Sewastianowicz:  Finał tegorocznego Festiwalu jest wydarzeniem niesamowitym – podobnie zresztą jak zeszłoroczny, gdy wykonano Hymn Św. Daniły. Wrażenia doskonałe!

Twórczością Krzysztofa Pendereckiego  fascynuję się od czasów liceum – jest on twórcą wyjątkowym i cieszę się, że miałem dziś okazję wysłuchać koncertu „Jutrzni”!

 

Tatiana Niczyporuk: Koncert „Jutrzni” to ogromne wydarzenie w kulturalnej historii Białegostoku – tym bardziej, że uświetnił je swoją obecnością sam Mistrz! Chórzyści byli  wspaniali! Soliści również najwyższej klasy! Doskonała akustyka katedry pozwoliła usłyszeć nawet najcichszy dźwięk. Miejsce nadało wykonaniu dzieła szczególny charakter. Sala koncertowa nie mogłaby dać takiego efektu. To był koncert dla koneserów!